100 paintings, objects, and films from around 40 international contemporary artists invite us to intuitively approach art from an emotional perspective.
The exhibition FEELINGS seeks to encourage this direct dialogue between artwork and viewer in order to stimulate an intense emotional engagement. The works exhibited are characterized by enigmatic motifs and atmospheric visual spaces. Joy, excitement, anger, revulsion, sadness, and numerous other emotional reactions may ensue upon viewing the works. The choice of exhibits is subjective; the art historical context and explanatory wall texts have been deliberately omitted.
The artist Alexandra Ranner participates in the exhibition with the video installation piece called Flur.
November 8, 2019 - October 4, 2020
Gabriele Basilico on show in Rome
Gabriele Basilico returns to Rome with an exhibition called Metropoli at Palazzo delle Esposizioni. This exhibition pays tribute to one of the greatest protagonists of Italian and international photography.
The metropolis has always been a central theme in the photographer’s research and interests. On this occasion, we can find photographs dating from the seventies to the two thousand and geographies such as Beirut, Milan, Paris, Rio de Janeiro, San Francisco and a long etcetera. Through these we can observe human-made landscapes, landscapes of progress and historical stratifications of the city, the margins and the peripheries in continuous transformation.
The exhibition is accompanied by two programmes of activities: La democrazia dello sguardo y La città negli occhi.
You can see Metropolis until April 13th.
January 25 - April 13, 2020
Alfredo Jaar receives the Hasselbald Award for Photography
Oliva Arauna felicita a Alfredo Jaar por haber ganado el premio Hasselblad de fotografía.
Dejamos aquí el comunicado de la Fundación:
The Hasselblad Foundation is pleased to announce that Alfredo Jaar is the recipient of the 2020 Hasselblad Foundation International Award in Photography for the sum of SEK 1,000,000 (approx. USD 100,000). Alfredo Jaar is the 40th winner of the Hasselblad Award. The award ceremony will take place in Gothenburg, Sweden, on October 19, 2020. The following day, October 20, an exhibition of Alfredo Jaar’s work will open at the Hasselblad Center. A book about the artist will be published by Verlag der Buchhandlung Walther König, with an essay by Jacques Rancière.
The Foundation’s citation regarding the Hasselblad Award Laureate 2020, Alfredo Jaar:
“I feel extremely honoured and proud to receive this incredible acknowledgment. I would like to express my awe and deep gratitude to the Hasselblad Foundation and some of the former recipients of this award who have taught me so much, like Daido Moriyama, Bernd & Hilla Becher, Robert Frank, Susan Meiselas, William Klein and Henri Cartier-Bresson. I have focused the totality of my practice on the politics of images and this generous recognition gives me the support and strength to continue my journey in these dark times,” says Alfredo Jaar.
“Alfredo Jaar’s poignant works and uncompromising research into the politics of images touch on aspects that are critical for photography. At the same time his art transcends media specificity, focusing our attention to burning matters of concern,” note Louise Wolthers and Dragana Vujanović Östlind, curators of the Hasselblad Award exhibition.
“Alfredo Jaar has made significant contributions to the history of photography by addressing the politics that govern the production and circulation of images, showing us the economic and social implications embedded in the act of seeing, as well as our responsibilities as spectators of images,” notes Thyago Nogueira, Chair of the Hasselblad Award Jury 2020.
Alfredo Jaar Biography
Throughout his career, Jaar has addressed contentious themes. The Sound of Silence (1995) is a film installation based on the Pulitzer Prize-winning photograph of a starving boy and a vulture taken by South African photojournalist Kevin Carter during the famine in Sudan in 1993. Alfredo Jaar’s installation consists of a space with a wall of fluorescent lights on the outside that blinds the viewer. Inside a film is shown describing Kevin Carter’s photograph and the critical reactions it caused, which culminated in Carter’s suicide. The photograph and its reception pointed to the role and responsibilities of a spectator when faced with human suffering. Jaar’s work masterfully probes central journalistic issues concerning the politics and ethics of images, information and narratives.
Searching for Africa in LIFE (1995) focuses on the absence of references to Africa in LIFE magazine. It is a collection of 2,128 chronologically sequenced covers of the magazine from the first issue in 1936 to the last in 1996. Jaar uses a similar strategy in the work titled From TIME to TIME (2006) which again brings to the surface the racism that governs the perception of the African continent in the Global North.
Jaar’s best known long-term work, the seminal Rwanda Project (1994–2000), is a response to the silence, indifference and inaction of the Global North to the events in Rwanda that claimed over one million lives. Through a variety of means, including survivors’ testimonies and pictures, the works reveal the world’s silence in the face of genocide, testing the visitor’s desensitization to images of violence and probing the limited capacity of art to represent tragedy.
Alfredo Jaar has made numerous public interventions, such as The Skoghall Konsthall (2000), a one-day art gallery made of paper in the small town of Skoghall, Sweden. The art gallery was set on fire as an attempt to visualize the absence of cultural institutions in the community. Other examples of public interventions are the electronic billboard A Logo for America (1987) and The Cloud (2000), a performance project on both sides of the Mexico-USA border.
Alfredo Jaar’s work has been shown extensively around the world. He has participated in the Biennales of Venice (1986, 2007, 2009, 2013), São Paulo (1987, 1989, 2010, 2020) as well as Documenta in Kassel (1987, 2002). Important individual exhibitions include The New Museum of Contemporary Art, New York (1992); Whitechapel, London (1992); The Museum of Contemporary Art, Chicago (1995); The Museum of Contemporary Art, Rome (2005) and Moderna Museet, Stockholm (1994). Major recent surveys of his work have taken place at Musée des Beaux Arts, Lausanne (2007); Hangar Bicocca, Milan (2008); Alte Nationalgalerie, Berlinische Galerie and Neue Gesellschaft für bildende Kunst e.V., Berlin (2012); Rencontres d’Arles (2013); KIASMA, Helsinki (2014) and Yorkshire Sculpture Park, UK (2017). The artist has realized more than 70 public interventions around the world. Over 60 monographic publications have been published about his work. He became a Guggenheim Fellow in 1985 and a MacArthur Fellow in 2000. He received the Hiroshima Art Prize in 2018. His work can be found in the collections of The Museum of Modern Art and Guggenheim Museum, New York; Art Institute of Chicago and Museum of Contemporary Art, Chicago; MOCA and LACMA, Los Angeles; MASP, Museu de Arte de São Paulo; TATE, London; Centre Georges Pompidou, Paris; Nationalgalerie, Berlin; Stedelijk Museum, Amsterdam; Museo Reina Sofia, Madrid; Moderna Museet, Stockholm; MAXXI and MACRO, Rome; Louisiana Museum of Modern Art, Humlebæk; Hiroshima City Museum of Contemporary Art and Tokushima Modern Art Museum, Japan; M+, Hong Kong, and dozens of institutions and private collections worldwide.
March 11 - October 1, 2020