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Sinfonía, 2004. DVD. 1'. Edition of 6.

Hasta que la muerte... (triptych), 2005. Black and white photography. 160 x 90 cm. Edition of 3.

270º bajo tierra, 2005. Installation. 20m2. Unique edition. 

Subjetivos  Capitoné 1, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Ver - Dad, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Suelo, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Perros, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Historia, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Todo, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Ment - Ira, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Niña, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos  Capitoné 2, 2005. Installation. 70 cm. diameter. Unique edition.

Subjetivos, 2005. Installation. 70 cm. diameter each. Unique edition.

D4, 2003. Drawing. 150 x 180 cm. Unique edition.

D5, 2003. Drawing. 150 x 180 cm. Unique edition.

Cuerpo a tierra I, 2005. Light box. 118'7 x 103'5 x 20 cm. Edition of 3.

Cuerpo a tierra II, 2005. Light box. 163'8 x 118'7 x 20 cm. Edition of 3.

Cuerpo a tierra III, 2005. Light box. 156 x 118'8 x 20 cm. Edition on 3.

Cuerpo a tierra IV, 2005. Light box. 118'7 x 133'8 x 20 cm. Edition of 3.

Cuerpo a tierra V, 2005. Light box. 133'9 x 118'8 x 20 cm. Edition of 3.

Cuerpo a tierra VI, 2005. Light box. 104 x 104 x 20 cm. Edition of 3.

Alicia Martín
Subjetivos
September 14 - October 27, 2005

"The investigation of subjectivity consists basically in the interrogation of the senses, the meanings and the values, ethical and moral, that produces a certain culture, it’s form of appropriation by individuals and the orientation that carries out on it’s practical actions. It doesn’t exists a subjectivity that could be isolated from culture and social life, neither exists a culture that could be isolated of the subjectivity that supports it. This mutual determination - truly mutual production - must be our starting point, as subjectivity is distinguished culture as much as culture is subjectivity (objectified in the products, the interchanging forms and the concrete social relations that support it, but also in the meanings and the senses that organize cultural production)." GALENDE, Emiliano, De un Horizonte Incierto. Psicoanálisis y Salud Mental en la Sociedad Actual, Paidós, Buenos Aires, 1997.

The titled of the exhibition is the proposal of a series of works which connective theme is what relates to emotions and feelings that get fixed in to the memory in the learning processes. The exhibition begins with the video "Symphony". A girl sings the alphabet with cuts, interruptions … whereas a rate roams through a labyrinth. To learn through experience and the repetition of situations inherent to it’s own existence.

SUBJECTIVES refers to the ways of thinking the object or the "objective", knowledge in which coincides a great majority and in which supposedly, there is no discussion. In the triptych "Until death…" the same unfocused silhouette gets repeated, is a "objective" photographic image with a printed text that refers to the changes of content when there are light differences in the form.

"SUB-JETAR", to hold under subject. What holds to the subject below it’s self, from inside. "270º under earth" places the point from where pressure is exerted under earth, from inside towards out. Soil surface opens; a crack is made trough which a combination of books can be seen, earth and debris. The books as matter, twisted, manifest the absolute disorder of categories in the perception of vital issues.  

This inherited uncertainty to which is added the one of time it’s self in which we live, expresses in a series of balls, forms without edges, without limits and with capacity of movement. Spherical blackboards in which, as epitaphs, drawings get superposed - another form of writing - texts, textures, erased and written under an instinct of defence and protection.

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