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Sirona, 2003. Acrylic on canvas. 300 x 300 cm. Unique edition.

Arianrhod, 2003. Acrylic on canvas. 300 x 200 cm. Unique edition.

Aresta, 2003. Acrylic on canvas. 300 x 200 cm. Unique edition.

Regulus, 2003. Acrylic on canvas. 200 x 200 cm. Unique edition.

Tarja, 2003. Acrílico sobre lienzo. 200 x 200 cm. Unique edition.

Lumaquela (diptych), 2003. Acrylic on canvas. 150 x 150 cm. Unique edition.

Spica, 2003. Acrylic on paper. 90 x 70 cm. Unique edition.

Torua, 2003. Acrylic on paper. 90 x 70 cm. Unique edition.

Amer, 2003. Acrylic on paper. 90 x 70 cm. Unique edition.

Fort, 2003. Acrylic on paper. 90 x 70 cm. Unique edition.

Tazaña, 2003. Acrylic on paper. 90 x 70 cm. Edición única.

Vilano, 2003. Acrylic on paper. 100 x 70 cm. Unique edition.

Marjal, 2003. Acrylic on paper. 100 x 70 cm. Unique edition.

Nona, 2003. Acrylic on paper. 100 x 70 cm. Unique edition.

Rosa Brun
September 16 - November 8, 2003

The process of work is born out of different requisites: there are those that refer to colour and its application in successive layers, determining glimpses of internal spaces; there are those that through the blending of colour create different textures on the picture’s surface, adding a sense of tactility to the painting; there are those that use the luminosity that the painting gives out to create an enveloping effect around the viewer, imprinting on their imaginations a clear sense of the beauty of colour.

The surfaces appear to be divided by the contrasting colours, dark green clear-blue, blue cyan-pink, and by the same format, act as geometric elements working to establish balances between the different masses of colour.

The simple geometric divisions are squares subdivided in rectangles, or rectangles divided in two, where the placement of colour in large tonal areas creates spaces that are neither deep nor flat, projecting the colour forwards, reaffirming the sculptural properties of the support, which, separated from the wall, creates shadows around itself, delimiting the expansive quality through its weightlessness, being the weight supported by the colour.