In this exhibition I consider different interpretations about space and matter.

My research has its development in concepts like duality. It gives rise to a chain of oppositions which links are articulated between classic and modern, objective and subjective, instinctive and reflexive, the whole and the fragmentation.There is an exigency between the observation engaged with feelings and the expressive ways of the artificial language. I propose the work from a set of opposite concepts, showing something and hiding it.

We can find static coloured areas where the surfaces vibrate and move in the space between their selves and us. By this process we get immersed in the tactile values of the shape. The size of the works is related to human scale. We measure our selves with the space generated by the object, feeling our own presence, bringing near conditions without limit, being more a function of the space than of the shape. I experiment with materials in options of basic monochrome for each element that takes part of it. These materials are chosen concerning obtaining more richness in the range of epidermic textures that clarify my theory.

In my work, the elements get combined and juxtaposed following a discontinuous structure, generating new possibilities of association. Its key objective it’s to suggest the ambiguous character of the perception of the Real. I propose a structure’s organisation that collects aspects from the vision in second and third dimension. It also study in depth aspects related with its visual location and those things that define us a system, to reach the maximum precision in all the fields. I understand the object, more than itself, as prolongation of the painting.

Form and colour get together in a lot of planes which get intercepted continuously, searching for new associations and relations between the colour fields and its situation in the room.The autonomy of the colour as the reason of plastic organisation gets presented in these works including the mobile character of the visual path of the observer.

Rosa Brun. January 2010.