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Rastro I, 2008. Digitalised colour photography. 148 x 230 cm. Edition of 3.

Rastro II, 2008. Digitalised colour photography. 151 x 219 cm. Edition of 3. 

Rastro III, 2008. Digitalised colour photography. 175 x 219 cm. Edition of 3. 

Rastro IV, 2008. Digitalised colour photography. 205 x 183 cm. Edition of 3. 

Rastro V, 2008. Digitalised colour photography. 190 x 202 cm. Edition of 3.

Rastro VI, 2008. Digitalised colour photography. 149 x 185 cm. Edition of 3. 

Rastro VII, 2008. Digitalised colour photography. 129 x 204 cm. Edition of 3. 

Rastro VIII, 2008. Digitalised colour photography. 130 x 294 cm. Edition of 3. 

Rastro IX, 2008. Digitalised colour photography. 129 x 204 cm. Edition of 3. 

Rastro X, 2008. Digitalised colour photography. 130 x 200 cm. Edition of 3. 

Rastro XI, 2008. Digitalised colour photography. 130 x 202 cm. Edition of 3. 

Rastro XII, 2008. Digitalised colour photography. 149 x 185 cm. Edition of 3. 

Rastro XIII, 2008. Digitalised colour photography. 90 x 129 cm. Edition of 3. 

Rastro XIV, 2008. Digitaslized colour photography. 160 x 210 cm. Edition of 3.

Concha Prada
El Rastro del Objeto
October 23 - November 29, 2008

Concha Prada presents her fourth individual exhibition at the Oliva Arauna Gallery. This new exhibition, where Concha Prada shows her new work, is composed by 14 photos in different sizes.

The Concha Prada’s creative process moves around the interrelation between the photographic and pictorial. Strictly from the photography language she develops a reflection about the pictorial space and abstraction.

Her thematic work field is the domestic scope, and the mechanism that builds and holds up her photography is a new pictorial display in the photographic heart.

With this new shot work she tries to take the mechanism right to the end.

A shot is a photo without a camera. It is the footprint that an object or an action leaves over the photographic paper impress done by a strong light source. As the process is made in complete darkness, the results are photographs that are made blindly on, where the gesture and the chance play a fundamental roll.

And it is along this process, and using a domestic area object, a mop, how she develops this new work, causing a result that blur the limits between the pictorial and photographic. 

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